




Elsie Nampijinpa Moore, Watiya-warnu Jukurrpa (Seed Dreaming), 30x30cm
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- Aboriginal Artist - Elsie Nampijinpa Moore
- Community - Yuendumu
- Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation
- Catalogue number - 829/23
- Materials - Acrylic on pre-stretched canvas
- Size(cm) - H30 W30 D2
- Postage variants - Artwork is posted stretched and ready to hang
- Orientation - Painted from all sides and OK to hang as wished
This painting tells the story of a Jangala ‘watiya-warnu’ (Acacia tenuissima) ancestor who travelled south from a small hill called Ngurlupurranyangu to Yamunturrngu (Mount Liebig). As he travelled he picked the ‘watiya-warnu’ seeds and placed them in ‘parrajas’ (food carriers), one of which he carried on his head. Watiya-warnu is a seed bearing tree that grows in open spinifex or mulga country. When people returned to their camp after collecting the seeds they would make large windbreaks for shelter and winnow the seed in the late afternoon. Immature ‘watiya-warnu’ seed is ground into a paste and can be used to treat upset stomachs. The associated ‘watiya-warnu’ ceremony involves the preparation of a large ground painting. This Jukurrpa belongs to Nampijinpa/Nangala women and Jampijinpa/Jangala men. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, particular sites and other elements. In paintings of this Dreaming ‘U’ shapes are often depicting women collecting the ‘watiya-warnu’ seeds. Oval shapes represent the ‘parrajas’ where they carry the seeds and strait lines beside them frequently portrait digging sticks.
Elsie Nampijinpa Moore was born in 1960 at Yuendumu, a remote Aboriginal community, 290 km north west of Alice Springs in the NT of Australia. She grew up in Yuendumu, attending the local school and spending much of her time in the surrounding country learning about her culture and law through story.
Elsie Nampijinpa began painting with Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre located in Yuendumu, in 2015. She paints her Wanakiji Jukurrpa (Bush Tomato Dreaming) and Watiya-warmuJukurrpa (Seed Dreaming), Dreamings which relate directly to her land, its features and the plants and animals that inhabit it. These stories were passed down to her by her parents and their parents before them, for millennia. She loves colour and uses an unrestricted palette to depict her traditional iconography, at the same time developing a modern individualist style, using pattern and design in a variety of contexts.
When Elsie is not painting, she spends time with her extended family and friends.
While every gallery can provide a certificate of authenticity, only those issued by community-run Aboriginal Art Centres ensure ethical purchasing and documentation. Any gallery can produce a certificate with an inkjet printer, but these do not guarantee ethical practices if they do not come from an Aboriginal community art centre. Alternate certificates are a big red flag. All of our paintings come with a certificate of authenticity provided by the community-run Aboriginal Art Centre, ensuring the gold standard for ethical purchasing.
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Please find more information on authenticity here: Aboriginal Art Authenticity
This painting arrives to us pre-stretched, allowing us to send it to you while maintaining consistent and transparent pricing related to the prices set by each Aboriginal art centre.
100% ready for your wall, this painting will look fabulous straight out of the box. If you would like to jazz it up further, we have been impressed by the quality of the ANKO float frames available at Target and Kmart. They are $11, and you can paint them or leave them as is. Plus, you get a canvas with them to create something of your own.
There are some other options out there but they are poorly made.
Please find further general details and examples relating to framing here: How to Frame Your Aboriginal Art

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