Peggy Napurrurla Granites, Yarungkanyi Jukurrpa (Mt Doreen Dreaming), 76x61cm
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- Aboriginal Artist - Peggy Napurrurla Granites
- Community - Yuendumu
- Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation
- Art centre catalogue number - 1222/23
- Materials - Acrylic paint on linen
- Size(cm) - H76 W61 D2
- Postage variants - This work is posted rolled for safe shipping
- Orientation - Painted from all sides and OK to hang as wished
Yarrungkanyi is the Mt Doreen area north west of Yuendumu. Dreamtime people lived in the area, digging for ‘ngarlajiyi’ (bush carrot [Vigna lanceolata]). In doing so they created a creek that flows north to Jurlpungu. Women are shown seated picking ‘ngamirdamirdi’ (lifesaver burr [Sida platycalyx]), which is a low-growing prickle. The women would thread the Ngamirdamirdi onto sticks to make hair combs. The women were travelling south to Yukurra.
Peggy Napurrurla Granites was born in 1958 on Gordon Downs Station in Western Australia. She is the daughter of Peggy Napaljarri Rockman, a Warlpiri-speaking Indigenous artist, and Jampu Jackamarra. When she was young her parents were relocated to Lajamanu, an Aboriginal community in semi-arid country on the edge of the Tanami Desert, halfway between Darwin and Alice Springs and 557ks south west of Katherine. Peggy went to the local school before being sent to Kormilda College, an Aboriginal boarding college in Darwin. When she finished school, she returned to Lajamanu. “At that time I was just learning … it was exciting … travelling between the communities … learning about country … and about hunting.” In 1980 she moved to Yuendumu, a remote Aboriginal community 290 km north-west of Alice Springs, where she still lives. She has five brothers and one sister, who “live everywhere!”
Peggy began painting with Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre, in 1998. She paints her father’s Pirlarla Jukurrpa (Dogwood Tree Bean Dreaming), stories that have been passed down to him from his father and his father’s father for millennia. She learnt to paint by watching her mother, who loved to paint. Peggy enjoys working with colour and uses an unrestricted palette to depict her traditional iconography, at the same time developing a modern individualist style, using pattern and design in a variety of contexts.
When she is not painting, she is kept busy with her children and her “many grandchildren”. She also likes to visit her mother who is now in a nursing home in Katherine.
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All of our Desert Paintings, with the exception of the Stretched Desert Paintings Collection, are sent rolled.
Sending paintings rolled is the best option for their safe arrival and allows us to include free shipping, provide timely service, and maintain consistent and transparent pricing relating to the prices set by each Aboriginal Art centre.
The size of the painting listed relates to the painted surface. There is also a painted edge(2cm) and additional canvas for stretching.
A local framer will easily stretch the work for you at a nominal cost. Framers are everywhere and there is likely one just up the road. We recommend choosing one with good reviews and if you call ahead you will generally get a better-quoted price than if you turn up, painting in hand.
Please find further details and examples relating to framing here: https://artark.com.au/pages/how-to-frame-your-aboriginal-art
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