By choosing an original Aboriginal artwork over a Aboriginal art print you are prioritising the artist and their community and truly celebrating their art and culture.
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Baluk Aboriginal art centre plays a pivotal role in fostering the talents of Indigenous artists from the Mornington Peninsula and broader southeastern Melbourne areas. This collective is unique in its community-driven approach, focusing on promoting the cultural and artistic expressions of urban Indigenous artists who are often underrepresented in the wider art scene.
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Founded with the mission to nurture the diverse artistic talents found within this expansive region, Barkly Regional Arts facilitates a wide range of activities, from visual arts to music and performing arts. The centre is particularly renowned for its focus on Indigenous cultural projects, which play a crucial role in maintaining and revitalising traditional practices and languages.
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Iwantja Arts is an Aboriginal art centre located in Indulkana Community in the rocky, desert country on the Anangu Pitjantjatjara Yankunytjara (APY) Lands in the remote north-west of South Australia.
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In 2000, Warakurna women performed at the Opening Ceremony of the Sydney Olympic Games. Five years later, in March 2005, the community opened its own art centre.
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Buku Larrngay Mulka is an Aboriginal Art centre in Arnhem Land. The centre's name, ‘Buku-Larrŋgay’ in the Yolŋu language, means "the feeling on your face as it is struck by the first rays of the sun," and ‘Mulka’ refers to a sacred but public ceremony, hinting at the deeply spiritual and cultural significance of the art produced here.
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Established in the late 1983, the Bábbarra Women’s Centre has become a space where women from the Maningrida community and its surrounding 32 outstations come together. The centre focuses on fostering Indigenous women's art and culture, providing a platform for them to express their stories, preserve their traditions, and gain financial independence.
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Shell necklace-making is the oldest continuing cultural practice in Tasmania, with archaeological evidence indicating that this tradition is approximately 2600 years old. The knowledge of shell-collecting areas and the understanding of the sea and tide levels for shell gathering are integral to this tradition.
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.....Byamee instructed the sky spirits to create a dilly bag apron from eucalyptus bark and give it to the kangaroo mother. When she tied it around her waist, it transformed into a pouch...
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.....Wurrpan then urged his children to flee with him towards Milindji Dhawarri. As they ran, they transformed into emus, their feathers turning grey from the ashes and bearing a bump from the stone's impact.
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