Nathania Nangala Granites, Warlukurlangu Jukurrpa (Fire country Dreaming), 91x61cm

• Aboriginal Artist - Nathania Nangala Granites
• Community - Yuendumu  
• Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation
• Catalogue number - 3817/24
• Materials - Acrylic on linen
• Size(cm) - H91 W61 D2  
• Postage variants - Artwork posted un-stretched and rolled for safe shipping
• Orientation - Painted from all sides and OK to hang as wished

This Dreaming belongs to Warlukurlangu country to the south-west of Yuendumu, for which Jampijinpa/Jangala men and Nampijinpa/Nangala women have custodial responsibility. An old man ‘lungkarda’ (centralian blue-tongued lizard [Tiliqua multifasciata]), of the Jampijinpa skin group, lived on a hill with his two Jangala sons. The old man would feign blindness and send the two boys hunting in search of meat. While they were gone he would hunt and eat anything that he caught before they returned. One day the sons returned with a kangaroo that they had caught after much tracking. Unfortunately the kangaroo was sacred to the ‘lungkarda’, unbeknown to the boys. In his anger the old man decided to punish his sons and the next time they went out, he put his fire stick to the ground and sent a huge bush fire after them which chased them for many miles, at times propelling them through the air. Although the boys beat out the flames, ‘lungkarda's’ special magic kept the fire alive and it re-appeared out of his blue-tongued lizard hole. Exhausted the boys were finally overcome by the flames. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, particular sites and other elements. Usually sites that are depicted in paintings of this Jukurrpa include Warlukurlangu (a men's cave), Kirrkirrmanu (where the sacred kangaroo was killed), Wayililinypa (where the fire killed the two Jangala sons) and Marnimarnu (a water soakage) where the two Jangalas camped.

Nathania Nangala Granites was born in Alice Springs Hospital, the closest hospital to Yuendumu, a remote Aboriginal community located 290 km north-west of Alice Springs in the NT of Australia. She was born into a family of artists. Her mother is Valda Napangardi Granites and her grandmother is Alma Nungarrayi Granites, an established artist who has exhibited in Australia and overseas. Nathania grew up listening to her mother’s and her father’s Jukurrpa stories and watching her family paint. She went to the local school in Yuendumu. When she finished school she assisted Yasmin Napurrular Musharbash, taking photos for Yasmin’s study of everyday life in an Aboriginal camp. Nathania is married and has a little boy born in 2013.

Nathania has been painting with Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre located in Yuendumu, since 2011. She paints her father’s Jukurrpa, particularly Ngapa Jukurrpa (Water Dreaming) and her mother’s Jukurrpa, Yankirri Jukurrpa (Emu Dreaming.  These stories have been passed down over the generations for millennia and relate directly to the land, its features and the plants and animals that inhabit it. Nathania uses an unrestricted palette to depict a modern interpretation of her traditional culture.

When Nathania is not working she is taking care of her baby son.

She is also Nampijinpa. She has got two skin names.

All paintings come with a certificate of authenticity provided by the community-run Aboriginal Art Centre, not us, which is the gold standard for ethical purchasing and documentation.

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All of our Desert Paintings, with the exception of the Stretched Desert Paintings Collection, are sent rolled.

Sending paintings rolled is the best option for their safe arrival and allows us to include free shipping, provide timely service, and maintain consistent and transparent pricing relating to the prices set by each Aboriginal Art centre.

The size of the painting listed relates to the painted surface. There is also a painted edge(2cm) and additional canvas for stretching.

A local framer will easily stretch the work for you at a nominal cost. Framers are everywhere and there is likely one just up the road. We recommend choosing one with good reviews and if you call ahead you will generally get a better-quoted price than if you turn up, painting in hand.

Please find further details and examples relating to framing here: https://artark.com.au/pages/how-to-frame-your-aboriginal-art